Photo of Mirta Benavente Argentina

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Biography

As of June 17, 2010 you can see the individual shows Mirta Benavente Abstract Painting in La Manzana de las Luces, Room Buschiazzo in Peru 272 Buenos Aires Argentina.

Mirta is a native of Ayacucho, province of Buenos Aires, although he lives in Buenos Aires since 1995. During the 1980 to 1984 makes drawing workshops at the School of Art Martin Malharro de Mar del Plata, a city where he spent his teenage years and part of his youth. His dedication innate drawing her to venture into...

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47.24 x 39.37 in
Painting
55.12 x 43.31 in
Painting
19.69 x 27.56 in
Painting
39.37 x 47.24 in
Painting
19.69 x 27.56 in
Drawing
19.69 x 27.56 in
Painting
19.69 x 27.56 in
Painting
19.69 x 27.56 in
Drawing
19.69 x 27.56 in
Painting
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Photo of Mirta Benavente Argentina

As of June 17, 2010 you can see the individual shows Mirta Benavente Abstract Painting in La Manzana de las Luces, Room Buschiazzo in Peru 272 Buenos Aires Argentina.

Mirta is a native of Ayacucho, province of Buenos Aires, although he lives in Buenos Aires since 1995. During the 1980 to 1984 makes drawing workshops at the School of Art Martin Malharro de Mar del Plata, a city where he spent his teenage years and part of his youth. His dedication innate drawing her to venture into the paint since 1990, attending various workshops to improve your technique without losing the core creative and intuitive. Mirta Elena Benavente and Spectral Symbolism Search and mastery of the material, of the many ways that capture the latent space and make it has certainly been a constant in the way of any author, being a strong tonal development distinguishing feature of the process creative it involves not only inquiry, but insight into their own feelings and emotions and a substantial adoption of environment as the key to a successful, a positive artistic development. For Mirta E. Benavente all of this shows quite evident. The constant struggle in the survey of the subject leads him to capture elements that could happen to a close although this is certainly allegorical symbolic because it gives the viewer different positions or ways to assimilate conceptualized, leading to very different ways, as unreachable fruit of one's vision or assimilation of reality that has the artist. The substance or hoarder of figuration is also evident. The fund goes to a certain background, sometimes lost, brief or blurred. Simply tuck usually accompanies or giving shelter to the conceptual basis, giving much greater role and encouraging the "whole" recreated to develop a certain pace and movement that characterizes the work. The wandering between the figurative and pure abstraction is the result of an intense search, a struggle for probing the latent space and give faithful response to concerns and anxieties, to give explanation to be unquestionable, in its formal development, to deepen character and actions that can be prosecuted. All this as a transit, as a fundamental exploration of a default, as necessary pillar in the development and representation of the noun in the creative mind. The value of this representation comes delivered in the formal use of a set of appropriate signifiers that do nothing but positively impact the creative process, giving more meaning to the thematic development, in finding gear Benavente designs and develops so successful as a primary means in his artistic process. The symbolic led the field spectrum, the imaginative cosmos managed by the author. Francisco Arroyo Ceballos Independent Critic / Director of CIALEC

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